26 November 2014
FREE FORECAST
‘RAK OF AEGIS,’ SPANKY MANIKAN, JED
MADELA LEAD 27TH ALIW AWARDEES
By JC Nigado27th Aliw Awards before the announcement of winners at ResortsWorld. Photograph by Mark Joseph Griswold |
At any rate, one does not really need an expert to elicit
the right choices for the awards, but some common sense and pragmatic practice will
do. Even an amateur diviner can see through the so-called short list, which is
quite long in its 40 or so categories. So
brace yourselves and, with further ado, here goes the lucky or unlucky ones. (By
the way, in case you don’t know, an award is either a blessing or a curse, depending
on its circumstances.)
This is no love story, but where do I begin, as the song
goes? Should I follow in order the nine-page 2014 Aliw Awards list of finalists
or should I go random as the nominees seem to be? Of course, there are
criterions and there are criterions. The Aliw Awards puts premium on good live
entertainment, which are preferably enjoyed by many. For them a good show loses
its meaning and relevance if it has a lean audience. But in a world of sin and
sorrow, as W. Somerset Maugham would say, who cares about criterions amidst the
blighted realities of here and now?
PETA’s Rak of Aegis,
despite its tacky title and hackneyed narrative, is the season’s best musical
production. With 10 nominations, Rak leads the pack with three other
winners, namely: Maribel Legarda, best stage director (musical); Kakai
Bautista, best actress in a featured role; and Jerald Napoles or OJ Mariano, best
actor in a featured role. On another day in acting court, however, I would pick
Joel Trinidad for Wait Until Dark,
from Repertory Philippines, in the latter category.
Spanky Manikan receives his Aliw as fellow awardee, Liza Macuja-Elizalde, looks on. Photograph by Mark Joseph Griswold |
The best cultural group is
definitely Aliw’s favorite, Tanghalang SLU of Baguio City, now winning two
years in a row and a candidate to the hall of fame. St. Louis University may
have a good campus theater, but in terms of cultural relevance and reach
nothing beats the impressive and busy Sirang Theater Ensemble Of Leyte Normal
University in Tacloban City. Under the leadership and tutelage of Jose N.
Lianza, the STE-LNU, I dare say, has no equal in the theater cultural scene,
especially in its recent Yolanda-inspired performances that toured the affected
provinces.
For best new artists, former X-Factor (Phils) contender Michael
Pangilinan (male) and US-educated singer and songwriter Mica Javier (female)
won’t be taking unawares by bagging their respective awards, considering their
looks, talent and name recall vis-a-vis their peers or co-nominees.
Ballet Manila stands out in the
best dance company contest, as Acapella Manila sings softly to win the best
choral group, with the Ateneo Chamber Singers providing stiff competition.
As for the best instrumentalist,
either Christine Coyuito should bang the piano to announce her win, or Brandley
Bascon should fiddle with his violin once more, and raise the roof, as it were,
to prove he deserves better.
The best female emcee award
must go to Toni Gonzaga and Luis Manzano must be accorded the best male emcee
honors. Otherwise, it’s a toss among the passables and the incompetents, as
expected.
To be sure, the best stand-up comedian is undoubtedly Ate
Gay, the Nora Aunor impressionist who, kidding aside, is sometimes better than
the original in certain respects.
Liza Macuja-Elizalde, petite but great, towers above the
rest as the best classical dancer, but any one of the three other nominees from
Ballet Philippines could spring a cold surprise.
Tenor Dondi Ong sounds familiar to hit the high note for
the best classical male performer, even as I hesitate to crack the crystal ball
for his female counterpart in the same classical category.
Stage and film actress Pinky
Amador is a proud pick for the best crossover performer, even if the
indefatigable Beverly Salviejo threatens to grasp the cap.
The best production for children should fly to The Bluebird of Happiness, from
Trumpets, or else Sandosenang Sapatos
must be running the kids’ show.
The correct choice between Ateneo
Fine Arts’ Games People Play and Red
Turnip Theater’s Rabbit Hole for the
best non-musical production should put the stray issue of Wait Until Dark, from Repertory Philippines, to rest.
For best stage director (non-musical), Ed
Lacson Jr. of Games People Play and
Topper Fabregas of Rabbit Hole should
square it off, with the latter getting the upper hand in any view.
Der Kaufmann’s
Regina de Vera is the runaway winner in the best actress (non-musical)
category, and no one dares come close, or else... I watched Der Kaufmann twice at the CCP's Tanghalang Pilipino, and every time I was pleasantly awed with De Vera's fresh approach to the "identity-changing"persona of Portia, thanks to her vision and the splendid direction of Rody Vera and Tux Rustaqio (sic). By the way, is the redoubtable Baby Barredo already a hall of famer in the same category that she seemed to have missed the nomination boat for her powerful turn in Cris Millado's August: Osage County, from Repertory Phillipines?
Youngish and energetic Red Concepcion of Priscilla, Queen of the Desert, from
Resorts World, is a popular choice for best actor in a musical, but Patrick
Libao of Filipinas 1941, from the
Philippine Stagers Foundation, looms large as a dark horse in the horizon.
Likewise, Ana Fegi of Katipunan;
Mga Anak ng Bayan, from Gantimpala Theater Foundation, is another popular
choice for best actress in a musical, but Cindy Liper of Filipinas 1941 could pull the rug from under any old time.
For best ensemble acting, the cast of Games People Play cannot hold a candle
to the cast of August: Osage County,
whose light shines brightest in every moment on stage.
Johnny Manahan beats himself and two others for the best
concert stage director award, for his wicked work in Jed Madela 10th Anniversary Concert. The same Madela concert crowns Mel Villina
as the best musical director without any trouble.
For the best female performer in hotels, music lounges
and bars, Judith Banal of Merks takes the cake, even though Juris of 19 East
draws near to partake of the serving of the award.
Noel Cabangon of Conspiracy Bar is always a wise decision
for the best male performer in hotels, music lounges and bars, but Richard
Merck of Merks could still stage an upset anytime.
Jed Madela of All
Request 2 at Music Museum wins the best male performer in a concert,
leaving the competition way far behind.
For her Pagcor series Dulce is certainly
favored to win the best female performer in a concert, but, given the chance, I
would rather settle for Jonalyn Viray of Dares
to be Fearless at Music Museum or Sitti of Bossa Love, also at Music Museum.
The Dawn mounts a resounding comeback in Landmarks at Music Museum to clinch the
best group performers in a concert, although The CompanY of ValenTunes at Crown Plaza Hotel could
provide the winning band some company or stand “alone’ on awards night.
For best collaboration in a concert, the team of Jay R,
Kris Lawrence, Salbakuta and Kley of Homeworkz Tour at the Giant Bar Antipolo
blends well to a successful finish sans gimmicks or media hype.
The eponymous The
Minstrels/Circus Band Greatest Hits Reunion at the PICC perform their best
major concert (group), and they should get the unanimous nod of Aliw, since
Rivermaya at Marikina Riverbank and Parokya ni Edgar at CEU lack the luster of
yesteryear.
Again, Jed Madela’s
10th Anniversary Concert at the PICC wins the best major concert
(male) and Lani Misalucha’s The Philippine
Tour at Cebu Waterfront Hotel can claim the best major concert (female),
no sweat.
To top it all, who rules the roast with the singular
Entertainer of the Year title? The federation’s bet is Jed Madela and the
entire congregation must celebrate before it’s too late. But, wait, I mustn’t
be spilling the beans as yet.
The rest of the Aliw awards are either redundant or a
recap of previous perks, given or missed.
A lifetime achievement award or a hall of fame is nothing if not well
deserved or well chosen. I said it before, and I’ll say it again: An award is only as good, or as bad, as its
giver – no more, no less.
JULIO CINCO NIGADO
Tagurabong City,
Philippines, 2014
No comments:
Post a Comment